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Coordination & Curation

INCANDENCE / THE LUNAR CODEX
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Incandence Corp. manages a portfolio of technology and media assets and provides strategic direction for future-facing companies. A special project of Incandence, the Lunar Codex is an archive of cultural works from across the globe, launched via NASA Artemis / Commercial Lunar Payload Service program partners from Earth to space, the Moon, and beyond.

Driven by a clear cultural focus, the project charges no fees to artists or institutions, and is curated by a circle of professional gallerists, prize jurors, poets laureate, editors, and publishers. The International Lunar Observatory Association's wide field-of-view camera on the Odysseus lander was named 'Lunar Codex' in honor of the project.

With ~250,000 artifacts over seven time capsules, the Lunar Codex collection now represents over 40,000 creative artists from 261
 countries & territories, and 149 Indigenous nations; including all 50 US states, and all 13 Canadian provinces and territories.

The Lunar Codex is one of the most expansive and global cultural heritage projects of its kind. Its landing sites have been declared heritage sites under the Artemis Accords, signed by 52 countries, and all works contained in its archives part of the designated heritage of humanity, to be preserved for posterity. 

SAMUEL PERALTA, Ph.D.
Founder & Curator
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Incandence chairman Dr. Samuel Peralta's broad cultural experience uniquely qualifies him as overall coordinator for the Lunar Codex. At the same time, his technology background allows him to contribute to key technical aspects of this project, including to full-color RGB encoding, audio preservation, archival materials, and more.

Dr. Peralta has curated exhibits for 33 Contemporary Gallery, artNXTlevel, Artsy.net, the Wausau Museum of Contemporary Art, and the Zhou B Art Center, and is a juror for the International ARC Salon for the Art Renewal Center in the U.S. and the Figuratieve Kunst Vandaag of Belgium. He and his wife are lifetime collectors, profiled in Fine Art ConnoisseurPoetsArtists, Beautiful Bizarre Magazine, and elsewhere; and are named sponsors of the Yayoi Kusama room at the Art Gallery of Ontario.

As an anthologist, Dr. Peralta's most well-known work is the Future Chronicles series; each of its 22+ volumes were bestsellers on Amazon. He was editorial director for Gravity City, Tales from the Starship, and served as juror for a range of literary competitions, from the Scholastic Writing Awards to the India Science Festival. His projects have hit the Wall Street Journal and USA Today bestseller lists, and his poetry accorded honors from the Palanca Memorial Award for Literature, the League of Canadian Poets, the UK Poetry Society, and the BBC.

Dr. Peralta has produced and supported over 120 independent films, including the Golden Globe® nominee The Fencer, and the Emmy® Award winning Real Artists. He is a Grandes Figuras award-winning composer and lyricist. His own visual art debuted at the CONTEXT / Art Miami / Art Basel international art fair.

He is a physics Ph.D. with over 150 publications, including invited papers for the IEEE Power Engineering Society and the NATO Advanced Study Institute. Along with a storied career in the nuclear industry, he co-founded POET Technologies (NASDAQ: PTK), Enerev5 Metals (TSXV: ENEV), Cobalt Blockchain, Mintrax, OPEL International, Qvadis Mobile, and OH Solar.

His contributions continue
at Incandence, on the boards of Noble Mineral (TSXV:NOB), the DSF Group, on the advisory boards of LunARC and the Interstellar Foundation, and as a mentor at the University of Toronto’s ICUBE start-up accelerator, where he was recognized with the 2024 Mentorship Excellence Award. In 2024, Dr. Peralta was also recipient of the Golden Balangay Foundation's Lifetime Achievement Award. In 2025 he will be a keynote speaker at the TEDx conference in Toronto.


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The Lunar Codex is a project of Incandence Corp

All rights in individual works are owned by their respective creators, editors, publishers, or owners.

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ACKNOWLEDGEMENTS
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We could not have reached out to the tens of thousands of creatives now in the Lunar Codex, nor imagined this incredible journey was possible, without a committed network of friends in the arts and in technology.

 

Curators, anthologists, and editors, engineers, technologists, and dreamers - to each and everyone of you, thank you to the Moon and back.

  • Didi Menendez, indefatigable curator and editor, the heart of the PoetsArtists community, and publisher at GOSS183

  • Steven Alan Bennett and Dr. Elaine Melotti Schmidt, curators, collectors, philanthropists, and the soul of The Bennett Prize 

  • Kara Lysandra Ross, curator, educator, co-chair & chief operating officer of the Art Renewal Center

  • Danijela Krha Purssey, editor-in-chief and co-founder with Richard Purssey of Beautiful Bizarre magazine

  • For The Polaris Trilogy, inspired lead editor Joyce Brinkman - inaugural Poet Laureate of Indiana and executive director of Brick Street Poetry - assisted by editors professors Dr. Joe Heithaus of DePauw University, and Jessica Reed of Butler University; and Barry Harris, Vice President of Brick Street Poetry and editor of the Tipton Poetry Journal; in collaboration with the Lunar Codex

  • Grace Cavalieri, poet, founder and host of the pre-eminent poetry podcast The Poet and the Poem from the Library of Congress 

  • Publisher Eric Rhoads, and editor-in-chief Peter Trippi, of Fine Art Connoisseur magazine

  • Beverly Chang, art enthusiast and public relations director for the California Art Club 

  • Mark Lipman, evangelical poet and editor of The Vagabond Lunar Collection, an anthology of poetry and illustrations compiled in collaboration with the Lunar Codex

  • Howard Camner and Mort Laitner of the South Florida Writers Association, editors of The Sea of Tranquility poetry anthology, compiled in collaboration with the Lunar Codex

  • Jessica Libor, curator of the Legends of the Moon exhibit, in collaboration with the Lunar Codex, at the Era Contemporary Gallery

  • Cory Dingle, executive director of the Estate of Norval Morrisseau (ENM), David J. Harris, global partnership director of ENM and founder of the Museum of Inuit Art, and Jessica Svenningson, ENM digital project lead and gallery director of the Klondike Institute of Art and Culture

  • All the incredible folks at the Crown-Indigenous Relations and Northern Affairs Canada, the Gerald Dumont Institute, and Kipling Gallery

  • International Lunar Observatory Association executive director Steve Durst and executive committee member Elisa Perednia, and the staff at ILOA and Canadensys Aerospace, for the visionary ILO-X mission that brought the Ka'Imi and Lunar Codex cameras to the Moon via the Odysseus

  • Bruce Ha, scientist, entrepreneur, and the visionary developer of the NanoFiche and Totenpass data storage technologies; our critical logistics, archival, and R&D partner for our Nova, Serenity, Freya, and Polaris missions

  • Ben Haldeman, evangelist and founder of LifeShip, and our logistics partner for Serenity and Freya

  • Graeme Stevenson, OAM, artist, documentary filmmaker, and Sophia Stacey, artist and documentary filmmaker - and their associates at Colour In Your Life

  • Romana Go, collector and peerless arts promoter at The Argo Collection

  • Kim Ingles and Julia Loersch, filmmakers and friends, whose documentary The Art Side of the Moon - along with all its cast and crew - brought the story of the Lunar Codex to thousands around the world

  • Charlotte Mueller, CEO, publisher and multimedia art enthusiast, Nicoleta Vasilache, Tara Rankovic, and all the staff at SNAP Collective, for their work on Manifest for the Moon, the first monograph overview of some of the visual art in the Lunar Codex  

  • The Burning Man Project organization, Marian Goodell, CEO and founding board member; Katie Hazard, director of art; and Miranda Petersen, art administrative coordinator 

  • Michael Sorkin, visionary entrepreneur, co-founder of Barrelhand, and my billion-year neighbor on the Odysseus

  • Muriel Bilger, tireless evangelist for creatives in visual art, poetry, music, and film

  • Fellow curators at PoetsArtists, including Sergio Gomez (special shout-out to the 33 Contemporary Gallery), David Anthony Hummer (special shout-out to the Wasau Museum of Contemporary Art), Daniel Maidman, Steven DaLuz, Frank Bernarducci, Dirk Dzimirksy, Alisa El-Bermani, Jay Menendez, Walt Morton, John Seed, and so many more in the 33PA community

  • The editors for The Future Chronicles and the Chronicle Worlds anthology series, Crystal "Pikko" Watanabe, Ellen Campbell, Chris Pourteau, Therin Knite, Alex Roddie, Jeff Seymour, Nolie Wilson, Lucas Bale, Carol Davis; co-editors Anthea Sharp, Nick Webb, and Artie Cabrera; and my personal editors John Joseph Adams, David Gatewood, Naomi Leadbeater, P.K. Tyler, and of course A.K. Peralta 

  • Co-anthologists, Patrice Fitzgerald of Beyond the Stars, Daniel Arthur Smith of Tales from the Canyons of the Damned and Frontiers of Speculative Fiction, P.K. Tyler of UnCommon Anthologies, Kim Wells and P.K. Tyler of Mosaics, Artie Cabrera of Gravity City, Shebat Legion of Klarissa Dreams and Legion Press, John Joseph Adams, editor and publisher of the Hugo award-winning Lightspeed magazine

  • The inspiring scientists and artists of the Interstellar Foundation (ISF), and its indefatigable executive director, Nick Searra, who pulls it all together

  • The LunARC community, whose focus on social impact and equity provide a vision of the future to strive for, and to Lakshmi Karan and Topher Wilkins, who help bring order to the chaos 

  • Our logistics and rideshare partners: on Orion - NASA and its partners; on Peregrine - Astrobotic / DHL Moonbox, Writers on the Moon, and Future Grind; on Nova - NanoFiche, ILOA, and GLL Lunagram; on Serenity and Freya - LifeShip, LunARC, ISF, NanoFiche, and Cerabyte; on Minerva - ISF, NanoFiche, and Lonestar Data; and on Polaris - NanoFiche and Astrobotic / DHL MoonBox  

  • For their vision, the scientists, engineers, and staff at NASA, Astrobotic Technology, Intuitive Machines, Firefly Aerospace, AstroForge, Team Draper, AstroLab, SpaceX, the United Launch Alliance, and Blue Origin, makers of the next-generation spacecraft, launch platforms, landers, and rovers for NASA's Commercial Lunar Payload Service program and for the Artemis program; those for whom the journey is also the destination

  • My parents, who nourished my love for art and science; and my family who have always been there for me

  • And to Alice my partner in this life's journey, to whom I first promised the Moon

We are grateful to all the artists, sculptors, authors, poets, songwriters, musicians, filmmakers, models and muses  who fill and inspire this life. Keep creating, keep inspiring the future. Thank you. Salamat. 謝 謝. Merci beaucoup.

 

- Samuel Peralta
  Toronto, Canada, Earth

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To send us a message, please use the form below.

Note: Submissions of creative work for the Lunar Codex are no longer accepted. Included works have all been previously curated, and all our allotted payload spaces are full.
 

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The Lunar Codex is a curated archive of cultural works from across the globe, launched from Earth via NASA Artemis / CLPS program partners. The Lunar Codex is a project of Incandence Corp

This website copyright © 2020-2025 Incandence Corp. All rights reserved. No other websites or channels are affiliated with the Lunar Codex except as linked herein. The Lunar Codex, Le Codex Lunaire, Codex Orion, Codex Peregrine, Codex Nova, Codex Serenity, Codex Freya, Codex Polaris, Orion Collection, Peregrine Collection, Νουα Collection, Serenity Collection, Freya Collection, Polaris Collection, Manifest 9, Annex 9, Artists on the Moon, Archived on the Moon, Νουα (nu-omicron-upsilon-alpha), ChromaFiche, and associated logos and seals, are trademarks or registered trademarks of Incandence Corp. MoonBox, NanoFiche, and other marks are trademarks or registered trademarks of their owners. 

Individual works are copyright © by their respective creators, editors, publishers, or owners, and all rights as appropriate remain with them, whether or not a notice appears adjacent to the work. All works included in the Lunar Codex have been archived with permission from their respective creators, editors, publishers, or owners, whether individually, or as represented in a collection such as an anthology, exhibit, catalog, or magazine. Music on this website is Claire de Lune by Claude Debussy, Beta Records (2017) original performance recording used with permission - version x 1.33 speed.

Works may be identified by their Lunar Codex time capsule, NASA mission, as follows: [1] LC1 Orion - NASA EM-1 / Artemis 1 Mission (Nov 16-Dec 11, 2022); [2] LC2 Peregrine - NASA CLPS-TO2-AB / Astrobotic Peregrine Mission 1 (Jan 8-18, 2024); [3] LC3 Nova - NASA CLPS-TO2-IM / Intuitive Machines Nova-C Mission IM-1 'Odysseus' (Feb 15-22 2024); [4] LC4 Serenity - NASA CLPS-TO-19D Mission 1 (Jan 2025); [5] LC5 Minerva - NASA CLPS-TO-PRIME-1 / Intuitive Machines Nova-C Mission IM-2 (Feb 2025)[6] LC6 Polaris - NASA CLPS-TO-20A (VIPER) / Astrobotic Griffin Mission 1 (Nov 2025); [7] LC7 Freya - NASA CLPS-TO-CP-11-PRISM / Intuitive Machines Nova-C Mission IM-3 / AstroForge Vestri Mission (4Q25).
- Note: We are transitioning from the previous PM-1, XM-1, GM-1 designation to LC1-7, which is intended to be - but is not yet - implemented throughout the website.

The Lunar Codex is fully-funded by Incandence and asks for no fees of any kind from artists or institutions. Anyone soliciting such via email, direct message, Patreon, Kickstarter, Indiegogo, GoFundMe, or similar, in any manner whatsoever, is not affiliated with the Lunar Codex despite any representation to the contrary. Incandence does not profit and makes no revenue from the Lunar Codex project. The Lunar Codex does not and will not deal in non-fungible tokens (NFTs), crypto-, or blockchain-related works, nor does it endorse, nor is it associated with any entities involved in such ventures, despite any representation to the contrary.

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